volume of this kind cannot be produced by one person, but must necessarily be the work
of a co-operative group. The idea of a family history was first suggested in 1987 by one of
my cousins when they all gathered to meet my sister Joan Dougan who paid a visit to
Perth from her home in New Jersey. Perhaps because I was a university academic, I accepted the
challenge. Little did I then realise the magnitude of the task. However, it was not until 1989 that
I embarked seriously on the project. When my mother Dorothy died in October 1988, we found
amongst her belongings many volumes of the diaries of her mother, Kate Rumble. Later my
cousin Miriamme Young lent me other volumes of the diary that were in her possession. This
gave impetus to my work.
y mother, perhaps more than any other of her generation in Perth, always kept alive a
romantic notion of her past. From an early age I had known about the de Brotherton line
stretching back to the fourteenth century; I was told about the Humfreys who were
landed gentry at Upton, and I knew a little about my Chinese ancestry, although my mother was
vague on detail. On the walls of my parents' home hung the oil-painting of the Rev Edward Fall,
my great-great grandfather. I felt I had known him all my life, but knew little of him. He lived at a
time of great change in England - the time of the Industrial revolution. I often wished I knew
more about the life and thoughts of this kindly old gentleman who followed my every action from
his place on the wall. With this head-start in both motivation and knowledge, I embarked on the
task enthusiastically.
efore me there were two well defined tasks: the need to research the ancestry of my
grandparents; and the task of seeking the co-operation of my many cousins to write the
story of descendants. My mother had maintained contact with a few relatives in Britain,
and I extended this. Through Frances Baynton in Gairloch, Scotland, I made contact with her
brother Joseph Rumble and with Judy Rumble. They, in turn, gave me contact with Michael
Rumble and Mark Rumble who were both interested in family research. Michael gave me what
he knew about the Rumbles, and sent me a most detailed family tree of the Humfrey branch of
the family. Mark, a keen local historian, gave me much information about the de Brothertons.
Joseph also added to my knowledge of the de Brothertons. Maryanne Tate, Mark's sister, sent me
family information.
ithout the help of Brenda Rohl, daughter of my cousin Robin Furphy, much of the detail of the Rumble ancestry would be incomplete, or not confirmed. Brenda had gone to Oxford with her husband Andrew and became interested in my project when I asked her to obtain one piece of information for me. She researched official records, sent me birth, marriage and death certificates. She consulted census records from 1841 onwards, and posted me photocopies of over forty wills of ancestors on both the Rumble and Knight side of the family. She visited cemeteries and, with Michael Rumble, researched the Rumble ancestors. She made contact with Alexandra and Henry Knight, among others. Through them she obtained many details of the Hochee family, previously unknown to us, and located the portraits of Ho Chee and his father Ho Foo.
o all these people, both in Australia and overseas, who contributed whole-heartedly to the
project, I give my sincere thanks. They made it possible. While they contributed many
ideas, I must accept responsibility for the final text. A project of this size is unlikely to be
free of the occasional error. Not all entries for living relatives are of equal depth. For some, this
was by request; for others it was due to lack of balance in my own research.
erhaps my greatest thanks must go to my wife Kay. Not only did she transcribe the many
hundreds of pages of Kate Rumble's diary, noting items that should be recorded in the
Register, but she also proofread all drafts several times and offered constant constructive
criticism, supplied endless cups of tea and much encouragement. Her support was magnificent.
amily histories usually paint rosy pictures: sensitive areas such as conflicts and problems
are often minimised or omitted. Each person to whom I spoke was asked to tell their story
from their own point of view. Another family member may have a different perspective.
ome descendants of my grandchildren's generation, or beyond, may be encouraged to update
the story of their own family in greater detail, adding material omitted from this volume and
extending it beyond the year 1994. I hope that they will do so. My own efforts have greatly
increased my personal sense of belonging, and I am sure that anyone who continues the project
will reap similar benefits.
John Fall
29 Paterson Gardens, Winthrop
Perth, Western Australia
May, 1994